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Colin Matthews

Composer

He has … brought musical architectronics to a personal pitch of mastery.

— Paul Driver, The Sunday Times

The Island (2007-8). Soprano & 7 instruments

There is no special resonance in revisiting words written exactly a century ago, but Rilke’s ability to transform the ordinary into something transcendent has not lost anything of its power in the intervening years since the Neue Gedichte – ‘New Poems’ – were written, in 1907 and 1908. Their title, plain though it is, reflects the change of direction that Rilke felt he was taking, towards a new subtlety and intimacy.

I have set these three linked poems as a short unbroken cycle, the introspection of the first two opening into new directions in the third. The Island was composed in 2007 as a gift for Claire Booth and the Nash Ensemble. I am grateful to Carcanet Press for permission to use Stephen Cohn’s exceptional translation.

The Island in the North Sea

i. the island

The tide wipes out the path across the flats,
everything everywhere now looks alike.
The nearby island keeps its eyes tight shut.
Enclosing it on every side, the dyke

contains and stultifies the islanders,
born into sleep in which they will confuse
all worlds with one another. Words are sparse
and when they speak their only sentences

are like short epitaphs upon the weird
things, water-washed and unexplained,
which came to them and stayed. Objects like these

from childhood on are all that meets their eyes :
things inconsiderate, improvident,
which only underline their solitude.

ii. the farms

As if it lay within a ring, a crater
of the moon, a dam surrounds each farm.
Their gardens, dressed alike, have wind-combed hair
like orphans roughly schooled by storm

and daily saddened by the deaths it brings.
The people keep indoors and stare for hours
at crooked mirrors showing exotic things
among familiar objects on their dressers.

At evening, someone’s son might stroll outdoors
and draw some chords from his harmonica –
a wailing melody as soft as tears

he once heard playing in a foreign harbour.
Upon the outer dyke a sheep appears
larger than life and almost ominous.

iii. the star

What lies within is near. All else lies far
away. The things within, so busy, overfull
and everyday, stay inexpressible.
It is as if the island were a star

too small and space, fiercely dispassionate,
had crushed it unaware. It circles on
and unilluminated and unheard
proceeds alone

through darkness in an orbit of its own
intent on making end to all of this,
continuing blindly and outside the course
of galaxies, of other stars or suns

Categories: Chamber, Voice

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27 November, 2025 - Two Part Invention
Timothy Lines (Director and Conductor), New Perspectives, Matthew Bottaro (Flute), Anthony McKenna (Clarinet)
Amaryllis Fleming Concert Hall, Royal College of Music, London

8 February, 2026 - Oboe Concerto (World Premiere)
London Symphony Orchestra, Olivier Stankiewicz (Oboe), Elim Chan (Conductor)
Barbican Hall, London

19 February, 2026 - Pluto the Renewer
The Hallé Orchestra, The Hallé Choir, Kahchun Wong (Conductor)
The Bridgewater Hall, Manchester

14 May, 2026 - Berceuse and Sarabande
Folkestone New Music
The Green Room at the Grand, Folkestone

20 September, 2026 - Paraphrases
Leila Josefowicz (violin), John Novacek (piano)
Wigmore Hall, London

View all performances

Useful Links

Faber Music
NMC Recordings
The Holst Foundation

© 2025 Colin Matthews · Website by Bookswarm

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