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Colin Matthews

Composer

Raucous, modern, tone-crunching … aggressive, in-your-face music.

— Lawrence A. Johnson, Sun-Sentinel

Paraphrases (2023). Violin and Piano.

i Flowing
ii Vivo
iii Molto sostenuto

Titles are often both hard to come by and hard to explain. To paraphrase is to put something into different words and applying it to music could mean using existing music in a different way. But what I intended here, at least in the relatively large scale first movement, is to describe a set of continuous variations which flow almost as if improvised. The brief second movement continues this process, rather aggressively, while the more extended slow third movement is much more lyrical.

I composed Paraphrases as a thank you to Leila Josefowicz for the many fine performances she has given of my Violin Concerto since 2009.

First performed on 25/06/25 by Leila Josefowicz and Huw Waktins at Snape Maltings Concert Hall during the Aldeburgh Festival.

Categories: Solo instrument

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12 November, 2026 - Nicht zu Schnell (Mahler/Matthews)
Toronto Symphony Orchestra, Gustavo Gimeno (Conductor)
Roy Thomson Hall, Toronto, Canada

14 November, 2026 - Nicht zu Schnell (Mahler/Matthews(
Toronto Symphony Orchestra, Gustavo Gimeno (Conductor)
Roy Thomson Hall, Toronto, Canada

14 November, 2026 - La cathédrale engloutie / Ondine / La fille aux cheveux de lin / La Puerta del Vino (Debussy/Matthews)
Fulham Symphony Orchestra, Marc Dooley (Conductor)
Smith Square Hall, London

22 November, 2026 - Estrangement
Emmanuel Choir
Emmanuel Church, Baltimore

28 November, 2026 - Pluto the Renewer
Yeongdeungpo Cultural Foundation, Seoul Chorus
Yeongdeungpo Art Hall, Seoul. South Korea

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Useful Links

Faber Music
NMC Recordings
The Holst Foundation

© 2026 Colin Matthews · Website by Bookswarm

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