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Colin Matthews

Composer

Raucous, modern, tone-crunching … aggressive, in-your-face music.

— Lawrence A. Johnson, Sun-Sentinel

Paraphrases (2023). Violin and Piano.

i Flowing
ii Vivo
iii Molto sostenuto

Titles are often both hard to come by and hard to explain. To paraphrase is to put something into different words and applying it to music could mean using existing music in a different way. But what I intended here, at least in the relatively large scale first movement, is to describe a set of continuous variations which flow almost as if improvised. The brief second movement continues this process, rather aggressively, while the more extended slow third movement is much more lyrical.

I composed Paraphrases as a thank you to Leila Josefowicz for the many fine performances she has given of my Violin Concerto since 2009.

First performed on 25/06/25 by Leila Josefowicz and Huw Waktins at Snape Maltings Concert Hall during the Aldeburgh Festival.

Categories: Solo instrument

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19 February, 2026 - Pluto the Renewer
The Hallé Orchestra, The Hallé Choir, Kahchun Wong (Conductor)
The Bridgewater Hall, Manchester

11 March, 2026 - Postludes / Little Continuum
New England Conservatory New Music Ensemble, Stefan Asbury (Conductor)
Jordan Hall, New England Conservatory of Music, Boston, USA

14 May, 2026 - Berceuse and Sarabande
Folkestone New Music
The Green Room at the Grand, Folkestone

26 July, 2026 - Fantazia 13
The Happenstancers
Carlton Dominion-Chalmers Centre, Ottawa, Ottawa Chamberfest

7 March, 2027 - Paraphrases
Leila Josefowicz (violin), John Novacek (piano)
Wigmore Hall, London

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Faber Music
NMC Recordings
The Holst Foundation

© 2026 Colin Matthews · Website by Bookswarm

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