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Colin Matthews

Composer

He has … brought musical architectronics to a personal pitch of mastery.

— Paul Driver, The Sunday Times

Horn Concerto (1997-2001)

Cover of score for the horn concerto

The mood of this concerto is fundamentally nocturnal; perhaps not necessarily a dreamy nocturne as such, but an exploration of a moonlight, dappled world, full of mysterious skitterings and romantic, yearning melodies of the kind that the horn of all instruments can present so well.

The strings use mutes throughout much of the work, and are divided unconventionally; there are no first and second violins as such, but instead a body of instruments that is frequently subdivided (as are the violas, cellos and double basses) into two or more parts. There are no trumpets in the brass section, but a pair of the mellower flugelhorns instead.

The solo horn begins offstage, and progresses steadily across the platform during the course of the concerto, visually mapping out its structure – it takes centre stage, for instance, during the flickering scherzo that forms the heart of the work – until it delivers its final phrases, sinking to the lowest registers of the instrument, directly opposite the point at which it began.

Categories: Orchestra

Reviews

compelling – lyrical, dusky, enchanted, emotionally varied – the thrill of the hunt evident at significant moments. Full text at: http://www.classicalsource.com/db_control/db_concert_review.php?id=13987

— Colin Anderson, Classical Review

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30 October, 2025 - Pluto the Renewer
Odense Symfoniorkester, Alpesh Chauhan (Conductor)
Carl Nielsen Salen, Odense Concert Hall, Denmark

31 October, 2025 - Pluto the Renewer
Odense Symfoniorkester, Alpesh Chauhan (Conductor)
Carl Nielsen Salen, Odense Concert Hall, Denmark

8 February, 2026 - Oboe Concerto (World Premiere)
London Symphony Orchestra, Olivier Stankiewicz (Oboe), Elim Chan (Conductor)
Barbican Hall, London

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Useful Links

Faber Music
NMC Recordings
The Holst Foundation

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