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Colin Matthews

Composer

Raucous, modern, tone-crunching … aggressive, in-your-face music.

— Lawrence A. Johnson, Sun-Sentinel

Cortège (1988). Orchestra

Cover of score for Cortege

Cortège is a slow piece, clothed in sombre orchestral colours and conceived entirely in one time signature: 3/2. The shape of the work is tripartite.  The first section opens with three timpani notes which will permeate the music. Then, acting as a sort of cantus firmus underneath the strings, the trombones have a sequence of long notes from which the rest of Cortège is derived. At the same time a sequence of triads are set up – the D minor, B minor, A flat minor, and so on – which are used not in a harmonic sense or to establish tonality, but as a series of pivots.

A central section gradually draws together many of the threads of the music, and moves towards a climax in which the massive triad chords, which have previously been in the background, themselves become the foreground.  After that comes a coda, a rather hopeless echo of what has gone before, which finally settles on to a muted D minor chord.

Cortège was a David Cohen commissioned sponsored by the David Cohen Family Charitable Trust.

Categories: Orchestra

Recordings

NMC Recordings (2016)

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9 July, 2026 - String Quartet No.5

Studzinski Recital Hall. S Brunswick, Maine, USA

26 July, 2026 - Fantazia 13
The Happenstancers
Carlton Dominion-Chalmers Centre, Ottawa, Ottawa Chamberfest

5 August, 2026 - La Vallée des Cloches (Ravel/Matthews)
Hallé Orchestra, Kahchun Wong (Conductor)
Royal Albert Hall, London

10 September, 2026 - La Cathédrale Engloutie (Debussy/Matthews)
Berlin Philharmonic, Brett Dean (Conductor)
Philharmonie Berlin, Germany

12 December, 2026 - C.A.N.O.N
Nash Ensemble, Claire Booth (soprano)
Wigmore Hall, London

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Useful Links

Faber Music
NMC Recordings
The Holst Foundation

© 2026 Colin Matthews · Website by Bookswarm

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