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Colin Matthews

Composer

He has … brought musical architectronics to a personal pitch of mastery.

— Paul Driver, The Sunday Times

Cortège (1988). Orchestra

Cover of score for Cortege

Cortège is a slow piece, clothed in sombre orchestral colours and conceived entirely in one time signature: 3/2. The shape of the work is tripartite.  The first section opens with three timpani notes which will permeate the music. Then, acting as a sort of cantus firmus underneath the strings, the trombones have a sequence of long notes from which the rest of Cortège is derived. At the same time a sequence of triads are set up – the D minor, B minor, A flat minor, and so on – which are used not in a harmonic sense or to establish tonality, but as a series of pivots.

A central section gradually draws together many of the threads of the music, and moves towards a climax in which the massive triad chords, which have previously been in the background, themselves become the foreground.  After that comes a coda, a rather hopeless echo of what has gone before, which finally settles on to a muted D minor chord.

Cortège was a David Cohen commissioned sponsored by the David Cohen Family Charitable Trust.

Categories: Orchestra

Recordings

NMC Recordings (2016)

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27 November, 2025 - Two Part Invention
Timothy Lines (Director and Conductor), New Perspectives, Matthew Bottaro (Flute), Anthony McKenna (Clarinet)
Amaryllis Fleming Concert Hall, Royal College of Music, London

8 February, 2026 - Oboe Concerto (World Premiere)
London Symphony Orchestra, Olivier Stankiewicz (Oboe), Elim Chan (Conductor)
Barbican Hall, London

19 February, 2026 - Pluto the Renewer
The Hallé Orchestra, The Hallé Choir, Kahchun Wong (Conductor)
The Bridgewater Hall, Manchester

14 May, 2026 - Berceuse and Sarabande
Folkestone New Music
The Green Room at the Grand, Folkestone

20 September, 2026 - Paraphrases
Leila Josefowicz (violin), John Novacek (piano)
Wigmore Hall, London

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Useful Links

Faber Music
NMC Recordings
The Holst Foundation

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