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Colin Matthews

Composer

The Isambard Kingdom Brunel of contemporary music …

— Paul Griffiths, The Times

Continuum (1998-2000). Mezzo soprano & large ensemble

Two poems by Eugenio Montale (1896 -1981) are the centre of the work: Crisalide (Chrysalis) and Casa sul mare (House by the sea). The first of these is set in the original Italian, the second in the fine English translation by Jonathan Galassi. They are framed by two epigrammatic fragments from the French poems Rilke wrote towards the end of his life.

Two instrumental ‘interludes’ come at the end of Crisalide : a turbulent continuation of the poem, spilling over into a sombre postlude; and before the final stanza of Casa sul mare – an almost funeral-march like interruption of the poem. The closing Rilke epigram echoes the opening: just as a continuum has no end, so the work spirals back to its beginning.

Categories: Ensemble, Voice

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27 November, 2025 - Two Part Invention
Timothy Lines (Director and Conductor), New Perspectives, Matthew Bottaro (Flute), Anthony McKenna (Clarinet)
Amaryllis Fleming Concert Hall, Royal College of Music, London

8 February, 2026 - Oboe Concerto (World Premiere)
London Symphony Orchestra, Olivier Stankiewicz (Oboe), Elim Chan (Conductor)
Barbican Hall, London

19 February, 2026 - Pluto the Renewer
The Hallé Orchestra, The Hallé Choir, Kahchun Wong (Conductor)
The Bridgewater Hall, Manchester

14 May, 2026 - Berceuse and Sarabande
Folkestone New Music
The Green Room at the Grand, Folkestone

20 September, 2026 - Paraphrases
Leila Josefowicz (violin), John Novacek (piano)
Wigmore Hall, London

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Useful Links

Faber Music
NMC Recordings
The Holst Foundation

© 2025 Colin Matthews · Website by Bookswarm

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