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Colin Matthews

Composer

It is fascinating how Matthews can use, almost entirely, dark and subtly shifting colours …

— David Denton, Tempo

Cortège (1988). Orchestra

Cover of score for Cortege

Cortège is a slow piece, clothed in sombre orchestral colours and conceived entirely in one time signature: 3/2. The shape of the work is tripartite.  The first section opens with three timpani notes which will permeate the music. Then, acting as a sort of cantus firmus underneath the strings, the trombones have a sequence of long notes from which the rest of Cortège is derived. At the same time a sequence of triads are set up – the D minor, B minor, A flat minor, and so on – which are used not in a harmonic sense or to establish tonality, but as a series of pivots.

A central section gradually draws together many of the threads of the music, and moves towards a climax in which the massive triad chords, which have previously been in the background, themselves become the foreground.  After that comes a coda, a rather hopeless echo of what has gone before, which finally settles on to a muted D minor chord.

Cortège was a David Cohen commissioned sponsored by the David Cohen Family Charitable Trust.

Categories: Orchestra

Recordings

NMC Recordings (2016)

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12 November, 2026 - Nicht zu Schnell (Mahler/Matthews)
Toronto Symphony Orchestra, Gustavo Gimeno (Conductor)
Roy Thomson Hall, Toronto, Canada

14 November, 2026 - Nicht zu Schnell (Mahler/Matthews(
Toronto Symphony Orchestra, Gustavo Gimeno (Conductor)
Roy Thomson Hall, Toronto, Canada

14 November, 2026 - La cathédrale engloutie / Ondine / La fille aux cheveux de lin / La Puerta del Vino (Debussy/Matthews)
Fulham Symphony Orchestra, Marc Dooley (Conductor)
Smith Square Hall, London

22 November, 2026 - Estrangement
Emmanuel Choir
Emmanuel Church, Baltimore

28 November, 2026 - Pluto the Renewer
Yeongdeungpo Cultural Foundation, Seoul Chorus
Yeongdeungpo Art Hall, Seoul. South Korea

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Useful Links

Faber Music
NMC Recordings
The Holst Foundation

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